I’m what you call a real collage.
I never underestimate one’s appearance because you project something.

Richard Avedon, Louise Nevelson

Richard Avedon, Louise Nevelson

I always had a flair for clothes and liked them because I have a whole feeling about appearance.  Because I think you very carefully can identify a person by their appearance. It’s important. It’s not skin deep. It’s much deeper. And consequently in youth I had this kind of flamboyance and wore good clothes and wore attractive things. So I think it was taken for granted that a woman of that sort couldn’t be totally dedicated. So I think that because of their, not mine, their preconceived ideas that an artist had to look — that the older and the uglier they looked, the more they were convinced that there was a dedication. Well, that again is preconceived clichés. That’s what I’ve been trying to break down all my life.  And I still am.
Because, you see, again what probably has given me my vision is that I have not been caught in clichés. When I was growing up, it was fashionable if you were pretty to say, “Well, beauty is skin deep.” Well, beauty is not skin deep. Beauty is beauty. In other words, I would like to say that the whole thing that we’re talking about has one note in my life, as you can see.  And that is the important thing to me.  Now, another thing.  Let us take Beethoven, just because everyone knows Beethoven. And we’re talking about his time and in the Occidental world.  Now in music we have octaves and there are eight notes and then some half notes. And out of eight notes he built a world of sound.  All the things that he created are really out of eight notes. Now those eight notes go higher, an octave higher, an octave lower. But there are only eight notes in an octave. Now I need only one note. And that is my note of consciousness. And that is what I want more of: my own consciousness. Louise Nevelson, Archives of American Art.

Could there be a more forceful statement than this about the relationship between mind and beauty? I was aware of Nevelson’s striking appearance and had seen many of her sculptures, but knew nothing about her bold statements about dress. She espouses an unabashed credo lambasting all those who think that an interest dress is superficial. I love the top photo by Richard Avedon: it embodies perfectly her statement about being a “real visual collage” with her elaborate hat, bold sculptural necklaces and intricate pieces of clothing.   


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